Showing posts with label Typeface. Show all posts
Showing posts with label Typeface. Show all posts

Wednesday, April 18, 2012

Regan Slab - Typeface


A precision cut slab serif typeface. Simple curves are combined with sharp angles to provide a readable font with subtle characteristics. Regan Slab is ideally suited to wide range of applications including magazines, newspapers and handheld devices. Details include 10 weights with italics, 540 characters, 5 variations of numerals, small caps, stylistic alternatives, manually edited kerning and Opentype features.









Friday, March 09, 2012

Savile - Typeface


A modern san serif typeface with a humanistic influence. The intention was to create a clean, functional design that would also have an elegant appearance. Careful attention has been paid to proportions and purity of form to help improve readability across text layouts. Details include 8 weights with italics, 540 characters with old style and tabular numerals, stylistic alternatives, manually edited kerning and Opentype features.









Monday, January 30, 2012

Borda - Typeface


A carefully drawn geometric typeface. Exacting angles are combined with smooth corner details to form a clean, legible font with a modern appearance. The compact nature of the letterforms allows for great use of space across text layouts. Details include 6 weights with italics, an extended European character set, manually edited kerning and Euro symbol.









Wednesday, December 07, 2011

Heltar - Typeface


A modern neo-grotesque typeface. Having grown up in Sheffield and been completely immersed in the work of The Designers Republic I became very drawn to their treatment of Helvetica, especially the close tracking of the letter space. This visual investigation led me to the study of the font Hass Unica, a so called improvement to Helvetica. In-order not to replicate and become a clone of Unica I redrew all the characters from scratch improving optical appearance, developing subtle corrections and reshaping individual letterforms. The result is a remixed neo-grotesque font that has strong general optical balance with great rhythm under close tracking. Details include 10 weights, an extended European character set, true italic, manually edited kerning and Euro symbol.








Friday, November 04, 2011

Tadao - Typeface

A precise rounded typeface with a clean and linear appearance. The simple compact nature of the design allows for great economy of space across layouts. Also deliberate consideration has been paid to inner corners to ensure no dark areas are produced within texts. Details include 6 weights, an extended European character set, manually edited kerning and Euro symbol.









Friday, October 14, 2011

Monsal - Typeface


A sans-serif typeface with clean and simple proportions. The design pays special attention towards balance and purity of form, creating a functional yet elegant typeface suitable for a wide variety of modern applications. Details include 9 weights, an extended European character set, manually edited kerning and Euro symbol.

Introductory offer 75% OFF complete family from The Northern Block:










Thursday, August 04, 2011

Beval - Typeface

A humanistic sans-serif typeface with subtle chamfer detailing. It’s strong lateral emphasis is combined with open apertures to create sharp and legible letter forms. These balanced and narrow proportions make it ideally suited to a variety of online applications. Details include 8 weights, a standard character set, manually edited kerning and Euro symbol.
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Tuesday, July 19, 2011

Vitro - Typeface

A geometric sans-serif typeface. The simple technical appearance has been achieved through careful optical adjustment, resulting in a modern and stylish font with great legibility. Details include 9 weights, a standard character set, manually edited kerning and Euro symbol.